Act One - Music for Inanimate Objects: Vinyl LP
DJ, producer, visual artist, actor and visionary Goldie MBE joins forces with revered engineer and producer James Davidson under the alias Subjective.
There are few names in the music industry that have achieved such a profound impact upon the culture of dance music as Goldie. Since his boundary-pushing debut Timeless, he has continued to create, challenge and revolutionise a sub-culture already known for its experimentation.
Making up the other half of Subjective is James Davidson, described by Goldie as an âexceptional engineer and an unsung producer in his own rightâ - who has previously released via Metalheadz (under the alias Ulterior Motive with Greg Hepworth), and also helped produce Goldieâs 2017 album The Journey Man. This relationship organically progressed on to collaborating in the studio, âfollowing the water as opposed to a strict conceptâ, Goldie adroitly explains. This was the birth of Subjective.
âThis album isnât just Ulterior Motive and Goldie, itâs a vision of Subjectiveâ, explains James. âIt was really exciting to have no boundaries on what we were writing, not restricted by the BPM or anything else - we just went wherever the smiles were.â
Act One â Music For Inanimate Objects is one of Goldieâs most accessible pieces of work to date. But make no mistake; this is still the producer at his uncompromising, unapologetic best - fusing classical, ambient and electronic elements with the ingenuity that only a trailblazer as himself could do. Combine this with Jamesâ own creative flair, and an engineering prowess that allows them to explore a range of tempos, emotions and sonic landscapes with complete freedom, and itâs clear to see Subjective is the making of two artists born with a predestined compatibility.
âIâve always been a fighter with music and gone way ahead of the curve in a lot of respectsâ, says Goldie. âIâve come from an era thatâs spanned three decades from the 80âs to now, and I think Iâve always pushed a progressive drumânâbass, sound. But this is a refined album, one that you can really fall into, immerse yourself in, or just play in the background - and it still works.â
DJ, producer, visual artist, actor and visionary Goldie MBE joins forces with revered engineer and producer James Davidson under the alias Subjective.
There are few names in the music industry that have achieved such a profound impact upon the culture of dance music as Goldie. Since his boundary-pushing debut Timeless, he has continued to create, challenge and revolutionise a sub-culture already known for its experimentation.
Making up the other half of Subjective is James Davidson, described by Goldie as an âexceptional engineer and an unsung producer in his own rightâ - who has previously released via Metalheadz (under the alias Ulterior Motive with Greg Hepworth), and also helped produce Goldieâs 2017 album The Journey Man. This relationship organically progressed on to collaborating in the studio, âfollowing the water as opposed to a strict conceptâ, Goldie adroitly explains. This was the birth of Subjective.
âThis album isnât just Ulterior Motive and Goldie, itâs a vision of Subjectiveâ, explains James. âIt was really exciting to have no boundaries on what we were writing, not restricted by the BPM or anything else - we just went wherever the smiles were.â
Act One â Music For Inanimate Objects is one of Goldieâs most accessible pieces of work to date. But make no mistake; this is still the producer at his uncompromising, unapologetic best - fusing classical, ambient and electronic elements with the ingenuity that only a trailblazer as himself could do. Combine this with Jamesâ own creative flair, and an engineering prowess that allows them to explore a range of tempos, emotions and sonic landscapes with complete freedom, and itâs clear to see Subjective is the making of two artists born with a predestined compatibility.
âIâve always been a fighter with music and gone way ahead of the curve in a lot of respectsâ, says Goldie. âIâve come from an era thatâs spanned three decades from the 80âs to now, and I think Iâve always pushed a progressive drumânâbass, sound. But this is a refined album, one that you can really fall into, immerse yourself in, or just play in the background - and it still works.â
Description
DJ, producer, visual artist, actor and visionary Goldie MBE joins forces with revered engineer and producer James Davidson under the alias Subjective.
There are few names in the music industry that have achieved such a profound impact upon the culture of dance music as Goldie. Since his boundary-pushing debut Timeless, he has continued to create, challenge and revolutionise a sub-culture already known for its experimentation.
Making up the other half of Subjective is James Davidson, described by Goldie as an âexceptional engineer and an unsung producer in his own rightâ - who has previously released via Metalheadz (under the alias Ulterior Motive with Greg Hepworth), and also helped produce Goldieâs 2017 album The Journey Man. This relationship organically progressed on to collaborating in the studio, âfollowing the water as opposed to a strict conceptâ, Goldie adroitly explains. This was the birth of Subjective.
âThis album isnât just Ulterior Motive and Goldie, itâs a vision of Subjectiveâ, explains James. âIt was really exciting to have no boundaries on what we were writing, not restricted by the BPM or anything else - we just went wherever the smiles were.â
Act One â Music For Inanimate Objects is one of Goldieâs most accessible pieces of work to date. But make no mistake; this is still the producer at his uncompromising, unapologetic best - fusing classical, ambient and electronic elements with the ingenuity that only a trailblazer as himself could do. Combine this with Jamesâ own creative flair, and an engineering prowess that allows them to explore a range of tempos, emotions and sonic landscapes with complete freedom, and itâs clear to see Subjective is the making of two artists born with a predestined compatibility.
âIâve always been a fighter with music and gone way ahead of the curve in a lot of respectsâ, says Goldie. âIâve come from an era thatâs spanned three decades from the 80âs to now, and I think Iâve always pushed a progressive drumânâbass, sound. But this is a refined album, one that you can really fall into, immerse yourself in, or just play in the background - and it still works.â
