Allergory & Self: CD
Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation, and rebellion. Materialized between Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar faces with the likes of Peter âSleazyâ Christopherson, Paula P-Orridge, Jhonn Balance, David Tibet, John Gosling and countless others. While the membersâ previous works took root in the counterculture zeitgeist of late â70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction The Temple of Psychick Youth, further propagating the Psychic TV message and vision.
While the ensuing years saw Psychic TVâs major label infection and record breaking live album release binge, it wasnât until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of Allegory and Self. This would be the bandâs most notable and successful endeavor, but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. Allegory and Self was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.
The recordâs opening track âGodstar,â a song gushing obsessive praise upon the fallen Rolling Stones member Brian Jones, would give the album its most notable identity. âGodstarâsâ melodic hooks and haunting, Phil Spector-era lyrical chant gives into to all the hallmarks of a chart-topping hit. âJust Like Arcadiaâ and âBeing Lostâ follows in similar footsteps, charging along with a somewhat whimsical Beach Boys-esque pop quality. The album also contained a sneak-peak into what direction Psychic TV was heading into going forward, apparent in the acid house number âShe Was Surprised.â Tracks like âStarlit Mireâ and âThee Dwellerâ reflect more of what the Psychic TV live experience was akin to in the â80s, aggressive and hypnotic. All together, Allegory and Self would stand alone as the bandâs signature apex from the original â80s line-up.
Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation, and rebellion. Materialized between Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar faces with the likes of Peter âSleazyâ Christopherson, Paula P-Orridge, Jhonn Balance, David Tibet, John Gosling and countless others. While the membersâ previous works took root in the counterculture zeitgeist of late â70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction The Temple of Psychick Youth, further propagating the Psychic TV message and vision.
While the ensuing years saw Psychic TVâs major label infection and record breaking live album release binge, it wasnât until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of Allegory and Self. This would be the bandâs most notable and successful endeavor, but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. Allegory and Self was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.
The recordâs opening track âGodstar,â a song gushing obsessive praise upon the fallen Rolling Stones member Brian Jones, would give the album its most notable identity. âGodstarâsâ melodic hooks and haunting, Phil Spector-era lyrical chant gives into to all the hallmarks of a chart-topping hit. âJust Like Arcadiaâ and âBeing Lostâ follows in similar footsteps, charging along with a somewhat whimsical Beach Boys-esque pop quality. The album also contained a sneak-peak into what direction Psychic TV was heading into going forward, apparent in the acid house number âShe Was Surprised.â Tracks like âStarlit Mireâ and âThee Dwellerâ reflect more of what the Psychic TV live experience was akin to in the â80s, aggressive and hypnotic. All together, Allegory and Self would stand alone as the bandâs signature apex from the original â80s line-up.
Original: $21.75
-65%$21.75
$7.61Description
Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation, and rebellion. Materialized between Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar faces with the likes of Peter âSleazyâ Christopherson, Paula P-Orridge, Jhonn Balance, David Tibet, John Gosling and countless others. While the membersâ previous works took root in the counterculture zeitgeist of late â70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction The Temple of Psychick Youth, further propagating the Psychic TV message and vision.
While the ensuing years saw Psychic TVâs major label infection and record breaking live album release binge, it wasnât until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of Allegory and Self. This would be the bandâs most notable and successful endeavor, but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. Allegory and Self was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.
The recordâs opening track âGodstar,â a song gushing obsessive praise upon the fallen Rolling Stones member Brian Jones, would give the album its most notable identity. âGodstarâsâ melodic hooks and haunting, Phil Spector-era lyrical chant gives into to all the hallmarks of a chart-topping hit. âJust Like Arcadiaâ and âBeing Lostâ follows in similar footsteps, charging along with a somewhat whimsical Beach Boys-esque pop quality. The album also contained a sneak-peak into what direction Psychic TV was heading into going forward, apparent in the acid house number âShe Was Surprised.â Tracks like âStarlit Mireâ and âThee Dwellerâ reflect more of what the Psychic TV live experience was akin to in the â80s, aggressive and hypnotic. All together, Allegory and Self would stand alone as the bandâs signature apex from the original â80s line-up.
