
DSVII: Candy Floss Vinyl 2LP
M83 mastermind Anthony Gonzalez released Digital Shades Vol. 1 in 2007 as a compendium of unused ambient tracks for diehard fans to enjoy rather than letting these works disappear into the void. It was a way to breathe life into songs that normally would not see the light of day as well as a vehicle for Gonzalez to explore areas of musical creativity separated from the pop-leaning M83 studio albums. Gonzalez credits Brian Enoâs ambient collections as a priÂŹmary inspiration for the creation of the Digital Shades series.
Now, more than a decade later, M83 has returned with the latest instalment of Digital Shades - one that adopts a grander nature and seeks to transport listenÂŹers to another time and place entirely. DSVII is influenced heavily by early video game soundtracks, â80s sci-fi/fantasy films and analog synth pioneers such as the aforementioned Brian Eno in addition to Suzanne Ciani, Mort Garson and John Carpenter.
M83 mastermind Anthony Gonzalez released Digital Shades Vol. 1 in 2007 as a compendium of unused ambient tracks for diehard fans to enjoy rather than letting these works disappear into the void. It was a way to breathe life into songs that normally would not see the light of day as well as a vehicle for Gonzalez to explore areas of musical creativity separated from the pop-leaning M83 studio albums. Gonzalez credits Brian Enoâs ambient collections as a priÂŹmary inspiration for the creation of the Digital Shades series.
Now, more than a decade later, M83 has returned with the latest instalment of Digital Shades - one that adopts a grander nature and seeks to transport listenÂŹers to another time and place entirely. DSVII is influenced heavily by early video game soundtracks, â80s sci-fi/fantasy films and analog synth pioneers such as the aforementioned Brian Eno in addition to Suzanne Ciani, Mort Garson and John Carpenter.
Original: $42.14
-65%$42.14
$14.75Description
M83 mastermind Anthony Gonzalez released Digital Shades Vol. 1 in 2007 as a compendium of unused ambient tracks for diehard fans to enjoy rather than letting these works disappear into the void. It was a way to breathe life into songs that normally would not see the light of day as well as a vehicle for Gonzalez to explore areas of musical creativity separated from the pop-leaning M83 studio albums. Gonzalez credits Brian Enoâs ambient collections as a priÂŹmary inspiration for the creation of the Digital Shades series.
Now, more than a decade later, M83 has returned with the latest instalment of Digital Shades - one that adopts a grander nature and seeks to transport listenÂŹers to another time and place entirely. DSVII is influenced heavily by early video game soundtracks, â80s sci-fi/fantasy films and analog synth pioneers such as the aforementioned Brian Eno in addition to Suzanne Ciani, Mort Garson and John Carpenter.












