
Ekko: Transparent Vinyl LP
With Ekko, Berlin-based Irish-Norwegian artist Tara Nome Doyle unveils her third
albumâa journey that ventures outward into the unknown and inward to the
depths of the self. Along the way, it explores pain, farewells, new beginnings, and
ultimately, acceptance.
Spanning just 30 minutes, the album exudes a remarkable clarityânot just in its
brevity, but in its emotional depth. Songs like Lighthouse, Bad Days, and Dive In
feature refrains destined for large venues, their powerful melodies soaring on
pop-infused harmonies before retreating into the intimacy of the verses.
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Tara produced most of Ekko herself, intentionally keeping the musical palette
simple. She collaborated with Grammy winning producer and engineer Simon
Goff (The Joker, Chernobyl) to create a precise, stripped-back soundscape built
around voice, piano, guitar, strings, Mellotron, and occasional analog
synthesizers. A personal touch lies in the string arrangements: before
transcribing the cello parts, Tara recorded vocal demos for each line herself.
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Ancient myths weave seamlessly through Ekko, intertwining with Taraâs
introspective themes. The figures of Narcissus and the nymph Echo embody two
extremesâself-obsession on one side and complete conformity on the other.
These ideas resonate deeply in todayâs digital landscape, where identity often
shifts between authenticity and the pressure to assimilate.
With Ekko, Tara reveals how repetitionâlike Echoâs curseâis not merely mimicry
but can be transformative: a reinterpretation of tradition and identity. Here, Echo
becomes more than a passive voice; she is a medium for reshaping and
reclaiming meaning.
Â
On the album cover, Tara wears shell headphones, a poignant symbol of listening
inward. The sound we hear is not distant or externalâitâs the pulse of our own
blood coursing through our veins.
Â
The untainted dreams of what it means to be a human and an artist have fadedâ
perhaps they were never entirely her own, but shaped by others. Now, the waves
crash against the reflection, and the sea roars. Itâs a sound that resonates through
all of usâa deep echo of our own being
With Ekko, Berlin-based Irish-Norwegian artist Tara Nome Doyle unveils her third
albumâa journey that ventures outward into the unknown and inward to the
depths of the self. Along the way, it explores pain, farewells, new beginnings, and
ultimately, acceptance.
Spanning just 30 minutes, the album exudes a remarkable clarityânot just in its
brevity, but in its emotional depth. Songs like Lighthouse, Bad Days, and Dive In
feature refrains destined for large venues, their powerful melodies soaring on
pop-infused harmonies before retreating into the intimacy of the verses.
Â
Tara produced most of Ekko herself, intentionally keeping the musical palette
simple. She collaborated with Grammy winning producer and engineer Simon
Goff (The Joker, Chernobyl) to create a precise, stripped-back soundscape built
around voice, piano, guitar, strings, Mellotron, and occasional analog
synthesizers. A personal touch lies in the string arrangements: before
transcribing the cello parts, Tara recorded vocal demos for each line herself.
Â
Ancient myths weave seamlessly through Ekko, intertwining with Taraâs
introspective themes. The figures of Narcissus and the nymph Echo embody two
extremesâself-obsession on one side and complete conformity on the other.
These ideas resonate deeply in todayâs digital landscape, where identity often
shifts between authenticity and the pressure to assimilate.
With Ekko, Tara reveals how repetitionâlike Echoâs curseâis not merely mimicry
but can be transformative: a reinterpretation of tradition and identity. Here, Echo
becomes more than a passive voice; she is a medium for reshaping and
reclaiming meaning.
Â
On the album cover, Tara wears shell headphones, a poignant symbol of listening
inward. The sound we hear is not distant or externalâitâs the pulse of our own
blood coursing through our veins.
Â
The untainted dreams of what it means to be a human and an artist have fadedâ
perhaps they were never entirely her own, but shaped by others. Now, the waves
crash against the reflection, and the sea roars. Itâs a sound that resonates through
all of usâa deep echo of our own being
Description
With Ekko, Berlin-based Irish-Norwegian artist Tara Nome Doyle unveils her third
albumâa journey that ventures outward into the unknown and inward to the
depths of the self. Along the way, it explores pain, farewells, new beginnings, and
ultimately, acceptance.
Spanning just 30 minutes, the album exudes a remarkable clarityânot just in its
brevity, but in its emotional depth. Songs like Lighthouse, Bad Days, and Dive In
feature refrains destined for large venues, their powerful melodies soaring on
pop-infused harmonies before retreating into the intimacy of the verses.
Â
Tara produced most of Ekko herself, intentionally keeping the musical palette
simple. She collaborated with Grammy winning producer and engineer Simon
Goff (The Joker, Chernobyl) to create a precise, stripped-back soundscape built
around voice, piano, guitar, strings, Mellotron, and occasional analog
synthesizers. A personal touch lies in the string arrangements: before
transcribing the cello parts, Tara recorded vocal demos for each line herself.
Â
Ancient myths weave seamlessly through Ekko, intertwining with Taraâs
introspective themes. The figures of Narcissus and the nymph Echo embody two
extremesâself-obsession on one side and complete conformity on the other.
These ideas resonate deeply in todayâs digital landscape, where identity often
shifts between authenticity and the pressure to assimilate.
With Ekko, Tara reveals how repetitionâlike Echoâs curseâis not merely mimicry
but can be transformative: a reinterpretation of tradition and identity. Here, Echo
becomes more than a passive voice; she is a medium for reshaping and
reclaiming meaning.
Â
On the album cover, Tara wears shell headphones, a poignant symbol of listening
inward. The sound we hear is not distant or externalâitâs the pulse of our own
blood coursing through our veins.
Â
The untainted dreams of what it means to be a human and an artist have fadedâ
perhaps they were never entirely her own, but shaped by others. Now, the waves
crash against the reflection, and the sea roars. Itâs a sound that resonates through
all of usâa deep echo of our own being














