
Good Bad Not Evil: Deluxe Edition Gatefold Vinyl 2LP
Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card.
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Bending scuzzy boundaries, Good Bad Not Evil is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches itâs 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including âCruisingâ, âI Wanna Dance With Youâ and âLeroy Fasterâ.
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Good Bad Not Evil perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like âVeni Vidi Viciâ, âCold Handsâ, âBad Kidsâ and âO Katrina!â immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didnât stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, âBlack Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. âGood Bad Not Evilâ, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.â âŠand, shut up and listen they did. âA perfect tapestry of sordid pleasure.â NME // âThe same rapturous energy as the Sonics and the 13th Floor Elevators.â The Guardian
Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card.
Â
Bending scuzzy boundaries, Good Bad Not Evil is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches itâs 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including âCruisingâ, âI Wanna Dance With Youâ and âLeroy Fasterâ.
Â
Good Bad Not Evil perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like âVeni Vidi Viciâ, âCold Handsâ, âBad Kidsâ and âO Katrina!â immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didnât stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, âBlack Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. âGood Bad Not Evilâ, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.â âŠand, shut up and listen they did. âA perfect tapestry of sordid pleasure.â NME // âThe same rapturous energy as the Sonics and the 13th Floor Elevators.â The Guardian
Original: $48.94
-65%$48.94
$17.13Description
Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card.
Â
Bending scuzzy boundaries, Good Bad Not Evil is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches itâs 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including âCruisingâ, âI Wanna Dance With Youâ and âLeroy Fasterâ.
Â
Good Bad Not Evil perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like âVeni Vidi Viciâ, âCold Handsâ, âBad Kidsâ and âO Katrina!â immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didnât stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, âBlack Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. âGood Bad Not Evilâ, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.â âŠand, shut up and listen they did. âA perfect tapestry of sordid pleasure.â NME // âThe same rapturous energy as the Sonics and the 13th Floor Elevators.â The Guardian












