
Lost Souls: Limited Edition Yellow & Black Vinyl LP
Raised on an unusual blend of Elvis Presley, Simon & Garfunkel, Guns N Roses and Cannibal Corpse, it was Linkin Parkâs Chester Bennington that first ignited the spark in Caskets vocalist Matt Flood. âIt was his power and range,â he notes of the vocal powerhouse. âIt was so impressive, and something Iâd never heard before from a male vocalist. It was that which drew me in, itâs what got me into music.â The parallels are clear. Casketsâ sound builds around Mattâs dynamic vocals, honed through a range of previous musical endeavours, and perfectly complimenting the bandâs mastery of heavy and soft. But itâs their forward-thinking attitude that better aligns both bands, Mattâs vocal hero paving a new path for melody and metal, and Caskets now set to further reinvent expectations of metalcore and post-hardcore. âI definitely like to surprise people,â Matt notes gearing up for the release of their debut full-length, âLost Soulsâ, through SharpTone Record; a record largely recorded in bandmate Chrisâ garden shed. âLiterally, a fucking garden shed,â Matt laughs. âAlmost everything was done in the good old shed. There are pictures of it on our Instagram, itâs not that big.â Teaming up with producer Dan Weller, the man behind works by Holding Absence, Dream State, Enter Shikari and Bury Tomorrow among others, Caskets harness this environment to capture a mix of crisp atmospherics and raw emotion; perfectly mirroring its unusual creation. The album retains the immediacy of their acclaimed âGhost Like Youâ EP, but sees the band secure its impact in places other than heavy riffs and crushing guitars. The mellower moments, underpinned by strings and pianos, allow space for emotion. âThereâs stuff you donât expect to happen,â Matt adds. âIâm really excited for people to hear it and be like, I didnât see that coming. Thatâs what I want.â In stepping forward from âGhost Like Youâ, Caskets have allowed themselves even more room for their atmospheric sound. âThe music was written in mind for screaming,â Matt reveals, âbut we decided we didnât want to go down that avenue. Thereâs more soaring energy rises and heavy, chunky low-tuned guitars. There are a lot of nice silky verses and atmospheric choruses.â Explorations of loss, fear, volatility and abuse unfold through far reaching melodies set against often thunderous drums and gritty riffs. âWe pulled it back a lot on the first EP,â Matt says of the albumâs more emotive moments, âbut the music has so many different elements to it now, itâs easier to write those sorts of emotions. I want people to take their own personal experience away from every song, but I want that experience to be different for each song too.â To achieve this, Matt isnât hiding behind lyrical metaphor. âIf youâre more upfront about something, especially if itâs something personal to you, it can evoke a stronger feeling. If youâre singing about something deep and dark, you should be using deep and dark words to get that message across.â Matt laughs. âIâm quite a common guy. Iâm pretty direct anyway, Iâve always been like that.â Underneath the wide swathe of powerful instrumentation provided by fellow band members Craig and Benji (guitar), Chris (bass), and James (drums) lies Mattâs truth. The common lyrical thread that pulls Casketsâ music together is this unfiltered openness. âItâs my baby,â he notes with genuine sincerity. âI can relate to every song, but not that itâs how it has to translate to the listener. I just want them to know that itâs a personal issue.â He places emphasis on vulnerability above all else. Itâs about showing the world itâs OK to be honest about yourself. The musicâs message comes to a head on the albumâs rousing midpoint, âHopes & Dreamsâ, a track that began life four years prior as an acoustic number before being given the full band treatment. Dominated by a mesmerising mix of strings and guitars, it injects a moment of hope in Mattâs darker moments. âHopeâs just a ladder and you can make it to the top,â he sings, âjust believe in your ability, let your head believe you heart.â Itâs a message Caskets plan to deliver proudly both on record and on stage. âI feel like being able to bring up different types of emotion within these songs will make us be able to connect even more with the fans,â Matt looks towards the return of live shows. âWe put as much energy and passion into our live shows as we can, because thatâs what we would want to see if we were stood there watching us.â This personable energy bleeds into their music, and the eleven tracks that form âLost Soulsâ. It also pinpoints a significant milestone in both Mattâs musical and personal journey. âHaving been a 14-year-old kid learning to play guitar, dreaming of doing whatâs actually happening now, and having the ups and downâs I have had, Iâm living proof that everyone is capable of doing what they love. The rewards massively outweigh the bad times and the shit that you go through. Itâs an incredible feeling, and one that Iâm very grateful for.â
Raised on an unusual blend of Elvis Presley, Simon & Garfunkel, Guns N Roses and Cannibal Corpse, it was Linkin Parkâs Chester Bennington that first ignited the spark in Caskets vocalist Matt Flood. âIt was his power and range,â he notes of the vocal powerhouse. âIt was so impressive, and something Iâd never heard before from a male vocalist. It was that which drew me in, itâs what got me into music.â The parallels are clear. Casketsâ sound builds around Mattâs dynamic vocals, honed through a range of previous musical endeavours, and perfectly complimenting the bandâs mastery of heavy and soft. But itâs their forward-thinking attitude that better aligns both bands, Mattâs vocal hero paving a new path for melody and metal, and Caskets now set to further reinvent expectations of metalcore and post-hardcore. âI definitely like to surprise people,â Matt notes gearing up for the release of their debut full-length, âLost Soulsâ, through SharpTone Record; a record largely recorded in bandmate Chrisâ garden shed. âLiterally, a fucking garden shed,â Matt laughs. âAlmost everything was done in the good old shed. There are pictures of it on our Instagram, itâs not that big.â Teaming up with producer Dan Weller, the man behind works by Holding Absence, Dream State, Enter Shikari and Bury Tomorrow among others, Caskets harness this environment to capture a mix of crisp atmospherics and raw emotion; perfectly mirroring its unusual creation. The album retains the immediacy of their acclaimed âGhost Like Youâ EP, but sees the band secure its impact in places other than heavy riffs and crushing guitars. The mellower moments, underpinned by strings and pianos, allow space for emotion. âThereâs stuff you donât expect to happen,â Matt adds. âIâm really excited for people to hear it and be like, I didnât see that coming. Thatâs what I want.â In stepping forward from âGhost Like Youâ, Caskets have allowed themselves even more room for their atmospheric sound. âThe music was written in mind for screaming,â Matt reveals, âbut we decided we didnât want to go down that avenue. Thereâs more soaring energy rises and heavy, chunky low-tuned guitars. There are a lot of nice silky verses and atmospheric choruses.â Explorations of loss, fear, volatility and abuse unfold through far reaching melodies set against often thunderous drums and gritty riffs. âWe pulled it back a lot on the first EP,â Matt says of the albumâs more emotive moments, âbut the music has so many different elements to it now, itâs easier to write those sorts of emotions. I want people to take their own personal experience away from every song, but I want that experience to be different for each song too.â To achieve this, Matt isnât hiding behind lyrical metaphor. âIf youâre more upfront about something, especially if itâs something personal to you, it can evoke a stronger feeling. If youâre singing about something deep and dark, you should be using deep and dark words to get that message across.â Matt laughs. âIâm quite a common guy. Iâm pretty direct anyway, Iâve always been like that.â Underneath the wide swathe of powerful instrumentation provided by fellow band members Craig and Benji (guitar), Chris (bass), and James (drums) lies Mattâs truth. The common lyrical thread that pulls Casketsâ music together is this unfiltered openness. âItâs my baby,â he notes with genuine sincerity. âI can relate to every song, but not that itâs how it has to translate to the listener. I just want them to know that itâs a personal issue.â He places emphasis on vulnerability above all else. Itâs about showing the world itâs OK to be honest about yourself. The musicâs message comes to a head on the albumâs rousing midpoint, âHopes & Dreamsâ, a track that began life four years prior as an acoustic number before being given the full band treatment. Dominated by a mesmerising mix of strings and guitars, it injects a moment of hope in Mattâs darker moments. âHopeâs just a ladder and you can make it to the top,â he sings, âjust believe in your ability, let your head believe you heart.â Itâs a message Caskets plan to deliver proudly both on record and on stage. âI feel like being able to bring up different types of emotion within these songs will make us be able to connect even more with the fans,â Matt looks towards the return of live shows. âWe put as much energy and passion into our live shows as we can, because thatâs what we would want to see if we were stood there watching us.â This personable energy bleeds into their music, and the eleven tracks that form âLost Soulsâ. It also pinpoints a significant milestone in both Mattâs musical and personal journey. âHaving been a 14-year-old kid learning to play guitar, dreaming of doing whatâs actually happening now, and having the ups and downâs I have had, Iâm living proof that everyone is capable of doing what they love. The rewards massively outweigh the bad times and the shit that you go through. Itâs an incredible feeling, and one that Iâm very grateful for.â
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$18.08Description
Raised on an unusual blend of Elvis Presley, Simon & Garfunkel, Guns N Roses and Cannibal Corpse, it was Linkin Parkâs Chester Bennington that first ignited the spark in Caskets vocalist Matt Flood. âIt was his power and range,â he notes of the vocal powerhouse. âIt was so impressive, and something Iâd never heard before from a male vocalist. It was that which drew me in, itâs what got me into music.â The parallels are clear. Casketsâ sound builds around Mattâs dynamic vocals, honed through a range of previous musical endeavours, and perfectly complimenting the bandâs mastery of heavy and soft. But itâs their forward-thinking attitude that better aligns both bands, Mattâs vocal hero paving a new path for melody and metal, and Caskets now set to further reinvent expectations of metalcore and post-hardcore. âI definitely like to surprise people,â Matt notes gearing up for the release of their debut full-length, âLost Soulsâ, through SharpTone Record; a record largely recorded in bandmate Chrisâ garden shed. âLiterally, a fucking garden shed,â Matt laughs. âAlmost everything was done in the good old shed. There are pictures of it on our Instagram, itâs not that big.â Teaming up with producer Dan Weller, the man behind works by Holding Absence, Dream State, Enter Shikari and Bury Tomorrow among others, Caskets harness this environment to capture a mix of crisp atmospherics and raw emotion; perfectly mirroring its unusual creation. The album retains the immediacy of their acclaimed âGhost Like Youâ EP, but sees the band secure its impact in places other than heavy riffs and crushing guitars. The mellower moments, underpinned by strings and pianos, allow space for emotion. âThereâs stuff you donât expect to happen,â Matt adds. âIâm really excited for people to hear it and be like, I didnât see that coming. Thatâs what I want.â In stepping forward from âGhost Like Youâ, Caskets have allowed themselves even more room for their atmospheric sound. âThe music was written in mind for screaming,â Matt reveals, âbut we decided we didnât want to go down that avenue. Thereâs more soaring energy rises and heavy, chunky low-tuned guitars. There are a lot of nice silky verses and atmospheric choruses.â Explorations of loss, fear, volatility and abuse unfold through far reaching melodies set against often thunderous drums and gritty riffs. âWe pulled it back a lot on the first EP,â Matt says of the albumâs more emotive moments, âbut the music has so many different elements to it now, itâs easier to write those sorts of emotions. I want people to take their own personal experience away from every song, but I want that experience to be different for each song too.â To achieve this, Matt isnât hiding behind lyrical metaphor. âIf youâre more upfront about something, especially if itâs something personal to you, it can evoke a stronger feeling. If youâre singing about something deep and dark, you should be using deep and dark words to get that message across.â Matt laughs. âIâm quite a common guy. Iâm pretty direct anyway, Iâve always been like that.â Underneath the wide swathe of powerful instrumentation provided by fellow band members Craig and Benji (guitar), Chris (bass), and James (drums) lies Mattâs truth. The common lyrical thread that pulls Casketsâ music together is this unfiltered openness. âItâs my baby,â he notes with genuine sincerity. âI can relate to every song, but not that itâs how it has to translate to the listener. I just want them to know that itâs a personal issue.â He places emphasis on vulnerability above all else. Itâs about showing the world itâs OK to be honest about yourself. The musicâs message comes to a head on the albumâs rousing midpoint, âHopes & Dreamsâ, a track that began life four years prior as an acoustic number before being given the full band treatment. Dominated by a mesmerising mix of strings and guitars, it injects a moment of hope in Mattâs darker moments. âHopeâs just a ladder and you can make it to the top,â he sings, âjust believe in your ability, let your head believe you heart.â Itâs a message Caskets plan to deliver proudly both on record and on stage. âI feel like being able to bring up different types of emotion within these songs will make us be able to connect even more with the fans,â Matt looks towards the return of live shows. âWe put as much energy and passion into our live shows as we can, because thatâs what we would want to see if we were stood there watching us.â This personable energy bleeds into their music, and the eleven tracks that form âLost Soulsâ. It also pinpoints a significant milestone in both Mattâs musical and personal journey. âHaving been a 14-year-old kid learning to play guitar, dreaming of doing whatâs actually happening now, and having the ups and downâs I have had, Iâm living proof that everyone is capable of doing what they love. The rewards massively outweigh the bad times and the shit that you go through. Itâs an incredible feeling, and one that Iâm very grateful for.â













