
More D4ta: Vinyl LP
For bands, a âhiatusâ is usually just a polite way of announcing a break-up, but sometimes, a hiatus is just thatâa hiatus. Back in 2017, when Moderat announced that theyâd be taking an extended break following a final concert in their hometown of Berlin, many assumed that the group was basically calling it quits. After all, theyâd already completed a celebrated trilogy of albums, repeatedly broken into the pop charts and performed all around the globe (including MainStage sets at some of the worldâs biggest festivals including Coachella, Roskilde, Rock Werchter, Glastonbury, Primavera, SĂłnar and many many more)âwhat else was left for the German trio to accomplish? Moderat, however, always knew that theyâd find their way back to one another.
10 TRACKS MORE D4TA, the groupâs fourth album, arrives more than six years after its predecessor (2016âs III), yet its contents are quintessentially Moderat. Although the trioâs hiatus was absolutely realâexhausted after years of touring, Apparat (a.k.a. Sascha Ring) and Modeselektor (a.k.a. Gernot Bronsert and Sebastian Szary) spent two years away from one another, focusing instead on their own respective projectsâonce they decided to resume working together, the music (eventually) started flowing again.
46 MINUTES, 33 SECONDS It wasnât an easy process. Itâs never been easy for Moderat, an outfit who tellingly titled their debut EP Auf Kosten Der Gesundheit (translation: At the Cost of Health) and then needed seven years to put together a follow-up. Back in those days, the groupâs members were essentially remixing each other, but over time, theyâve gradually developed into a proper band, writing together and developing a workflow thatâs totally distinct from their other projects. (In a band where all three members are artists, producers and mixing engineers, striking that sort of creative balance is trickier than it might seem.)
494 WORDS Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overloadâissues that have become particularly pronounced over the past two years. Many of its lyrics are rooted in Ringâs frequent trips to Berlinâs GemĂ€ldegalerie museum (often with his infant daughter in tow), where heâd seek refuge in the great paintings of the past while worrying about the future.
490,6 MB MORE D4TA is rooted in that same collaborative spirit, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities. That said, MORE D4TA is very much a Moderat album. No matter how far the band ventures into musicâs outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. What they make isnât necessarily dance music, but it is something that shines brightest in the dark of night, the groupâs rich melodies and Ringâs ethereal vocals emitting a warm, almost bioluminescent glow.-
MORE D4TA Although the LPâs title is an anagram for âModerat 4,â thereâs more to it than cheeky wordplay. In a time where everyone is constantly bombarded with content, and taking part in the cultural conversation requires engaging with digital platforms more interested in harvesting data than celebrating art, itâs easy to feel overwhelmed and disillusioned. MORE D4TA acknowledges that reality, but it also refuses to be cowed by it. Moderatâs new album is ultimately just another addition to the content pileâthereâs no escaping thatâbut the trio still yearns to create and connect. Theyâre not a conceptual outfit, and never have been: After spending the better part of two decades making music together, theyâve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group thatâs creatively recharged and fully dedicated to its craft. Maybe bands should take hiatusesâreal onesâ a little more often.
For bands, a âhiatusâ is usually just a polite way of announcing a break-up, but sometimes, a hiatus is just thatâa hiatus. Back in 2017, when Moderat announced that theyâd be taking an extended break following a final concert in their hometown of Berlin, many assumed that the group was basically calling it quits. After all, theyâd already completed a celebrated trilogy of albums, repeatedly broken into the pop charts and performed all around the globe (including MainStage sets at some of the worldâs biggest festivals including Coachella, Roskilde, Rock Werchter, Glastonbury, Primavera, SĂłnar and many many more)âwhat else was left for the German trio to accomplish? Moderat, however, always knew that theyâd find their way back to one another.
10 TRACKS MORE D4TA, the groupâs fourth album, arrives more than six years after its predecessor (2016âs III), yet its contents are quintessentially Moderat. Although the trioâs hiatus was absolutely realâexhausted after years of touring, Apparat (a.k.a. Sascha Ring) and Modeselektor (a.k.a. Gernot Bronsert and Sebastian Szary) spent two years away from one another, focusing instead on their own respective projectsâonce they decided to resume working together, the music (eventually) started flowing again.
46 MINUTES, 33 SECONDS It wasnât an easy process. Itâs never been easy for Moderat, an outfit who tellingly titled their debut EP Auf Kosten Der Gesundheit (translation: At the Cost of Health) and then needed seven years to put together a follow-up. Back in those days, the groupâs members were essentially remixing each other, but over time, theyâve gradually developed into a proper band, writing together and developing a workflow thatâs totally distinct from their other projects. (In a band where all three members are artists, producers and mixing engineers, striking that sort of creative balance is trickier than it might seem.)
494 WORDS Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overloadâissues that have become particularly pronounced over the past two years. Many of its lyrics are rooted in Ringâs frequent trips to Berlinâs GemĂ€ldegalerie museum (often with his infant daughter in tow), where heâd seek refuge in the great paintings of the past while worrying about the future.
490,6 MB MORE D4TA is rooted in that same collaborative spirit, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities. That said, MORE D4TA is very much a Moderat album. No matter how far the band ventures into musicâs outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. What they make isnât necessarily dance music, but it is something that shines brightest in the dark of night, the groupâs rich melodies and Ringâs ethereal vocals emitting a warm, almost bioluminescent glow.-
MORE D4TA Although the LPâs title is an anagram for âModerat 4,â thereâs more to it than cheeky wordplay. In a time where everyone is constantly bombarded with content, and taking part in the cultural conversation requires engaging with digital platforms more interested in harvesting data than celebrating art, itâs easy to feel overwhelmed and disillusioned. MORE D4TA acknowledges that reality, but it also refuses to be cowed by it. Moderatâs new album is ultimately just another addition to the content pileâthereâs no escaping thatâbut the trio still yearns to create and connect. Theyâre not a conceptual outfit, and never have been: After spending the better part of two decades making music together, theyâve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group thatâs creatively recharged and fully dedicated to its craft. Maybe bands should take hiatusesâreal onesâ a little more often.
Description
For bands, a âhiatusâ is usually just a polite way of announcing a break-up, but sometimes, a hiatus is just thatâa hiatus. Back in 2017, when Moderat announced that theyâd be taking an extended break following a final concert in their hometown of Berlin, many assumed that the group was basically calling it quits. After all, theyâd already completed a celebrated trilogy of albums, repeatedly broken into the pop charts and performed all around the globe (including MainStage sets at some of the worldâs biggest festivals including Coachella, Roskilde, Rock Werchter, Glastonbury, Primavera, SĂłnar and many many more)âwhat else was left for the German trio to accomplish? Moderat, however, always knew that theyâd find their way back to one another.
10 TRACKS MORE D4TA, the groupâs fourth album, arrives more than six years after its predecessor (2016âs III), yet its contents are quintessentially Moderat. Although the trioâs hiatus was absolutely realâexhausted after years of touring, Apparat (a.k.a. Sascha Ring) and Modeselektor (a.k.a. Gernot Bronsert and Sebastian Szary) spent two years away from one another, focusing instead on their own respective projectsâonce they decided to resume working together, the music (eventually) started flowing again.
46 MINUTES, 33 SECONDS It wasnât an easy process. Itâs never been easy for Moderat, an outfit who tellingly titled their debut EP Auf Kosten Der Gesundheit (translation: At the Cost of Health) and then needed seven years to put together a follow-up. Back in those days, the groupâs members were essentially remixing each other, but over time, theyâve gradually developed into a proper band, writing together and developing a workflow thatâs totally distinct from their other projects. (In a band where all three members are artists, producers and mixing engineers, striking that sort of creative balance is trickier than it might seem.)
494 WORDS Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overloadâissues that have become particularly pronounced over the past two years. Many of its lyrics are rooted in Ringâs frequent trips to Berlinâs GemĂ€ldegalerie museum (often with his infant daughter in tow), where heâd seek refuge in the great paintings of the past while worrying about the future.
490,6 MB MORE D4TA is rooted in that same collaborative spirit, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities. That said, MORE D4TA is very much a Moderat album. No matter how far the band ventures into musicâs outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. What they make isnât necessarily dance music, but it is something that shines brightest in the dark of night, the groupâs rich melodies and Ringâs ethereal vocals emitting a warm, almost bioluminescent glow.-
MORE D4TA Although the LPâs title is an anagram for âModerat 4,â thereâs more to it than cheeky wordplay. In a time where everyone is constantly bombarded with content, and taking part in the cultural conversation requires engaging with digital platforms more interested in harvesting data than celebrating art, itâs easy to feel overwhelmed and disillusioned. MORE D4TA acknowledges that reality, but it also refuses to be cowed by it. Moderatâs new album is ultimately just another addition to the content pileâthereâs no escaping thatâbut the trio still yearns to create and connect. Theyâre not a conceptual outfit, and never have been: After spending the better part of two decades making music together, theyâve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group thatâs creatively recharged and fully dedicated to its craft. Maybe bands should take hiatusesâreal onesâ a little more often.












