
Persuasion System: Limited Edition Sky Blue Vinyl LP
For nearly a decade the story of Com Truise has relied on science ïŹction and abstract fact. Seth Haleyâs singular style of melodic beat music subsists as hazy machinist nostalgia, a mainframe downloaded cosmology. Yet with each release, alongside sonic reïŹnement, comes an increasingly visible vapor trail to Haleyâs own ontology. His long-awaited 2017 LP Iteration brought to completion a conceptual space saga while also reïŹecting seismic life changes for the producer and designer. With mini-LP Persuasion System, Haley leaves the past narrative behind, settling into a new period marked by change â on this planet, in the present â putting forth his most grounded and visceral work to date.
The project began as an experiment. Haley switched digital audio workstations, rebuilt his palette of sounds, and tasked himself with simply trying it out. The exercise freed him of expectations and permitted a process that echoed the tones of more immediate external environments. A gravity had seeped in; resulting material shifts between bleakness and sublime suspense, awe at the expanse of existing, in looking back and letting go. âItâs a sort of sad smile and a wave goodbye but at the same time hello, a 'welcome to your lifeâ moment,â Haley says. Take the storm pattern sequence from âGaussianâ to âUltraïŹche of Youâ: a queasy, contemplative vignette rests on a single soft-synth cloud before the latterâs percussion ripples across the sky. With trademark stutters and swells, the composition conjures the sensation of searching in the afterglow. âItâs a love song, and I donât write many of those.â
That duality â melancholy + optimism, then + now â permeates this widescreen collection. âExistence Schematicâ takes ïŹight at night, âlooking down at the landscape,â explains Haley, âseeing the lights in a schematic sort of way, wondering who or what is looking back up at me wondering the same things I am, the impact of a single existence, the end, the beginning, where itâs gone and going.â These are observations from this existential Persuasion System, and Haley hopes the music yields more, for others, that listeners may search for their own tension and release.
For nearly a decade the story of Com Truise has relied on science ïŹction and abstract fact. Seth Haleyâs singular style of melodic beat music subsists as hazy machinist nostalgia, a mainframe downloaded cosmology. Yet with each release, alongside sonic reïŹnement, comes an increasingly visible vapor trail to Haleyâs own ontology. His long-awaited 2017 LP Iteration brought to completion a conceptual space saga while also reïŹecting seismic life changes for the producer and designer. With mini-LP Persuasion System, Haley leaves the past narrative behind, settling into a new period marked by change â on this planet, in the present â putting forth his most grounded and visceral work to date.
The project began as an experiment. Haley switched digital audio workstations, rebuilt his palette of sounds, and tasked himself with simply trying it out. The exercise freed him of expectations and permitted a process that echoed the tones of more immediate external environments. A gravity had seeped in; resulting material shifts between bleakness and sublime suspense, awe at the expanse of existing, in looking back and letting go. âItâs a sort of sad smile and a wave goodbye but at the same time hello, a 'welcome to your lifeâ moment,â Haley says. Take the storm pattern sequence from âGaussianâ to âUltraïŹche of Youâ: a queasy, contemplative vignette rests on a single soft-synth cloud before the latterâs percussion ripples across the sky. With trademark stutters and swells, the composition conjures the sensation of searching in the afterglow. âItâs a love song, and I donât write many of those.â
That duality â melancholy + optimism, then + now â permeates this widescreen collection. âExistence Schematicâ takes ïŹight at night, âlooking down at the landscape,â explains Haley, âseeing the lights in a schematic sort of way, wondering who or what is looking back up at me wondering the same things I am, the impact of a single existence, the end, the beginning, where itâs gone and going.â These are observations from this existential Persuasion System, and Haley hopes the music yields more, for others, that listeners may search for their own tension and release.
Original: $32.62
-65%$32.62
$11.42Description
For nearly a decade the story of Com Truise has relied on science ïŹction and abstract fact. Seth Haleyâs singular style of melodic beat music subsists as hazy machinist nostalgia, a mainframe downloaded cosmology. Yet with each release, alongside sonic reïŹnement, comes an increasingly visible vapor trail to Haleyâs own ontology. His long-awaited 2017 LP Iteration brought to completion a conceptual space saga while also reïŹecting seismic life changes for the producer and designer. With mini-LP Persuasion System, Haley leaves the past narrative behind, settling into a new period marked by change â on this planet, in the present â putting forth his most grounded and visceral work to date.
The project began as an experiment. Haley switched digital audio workstations, rebuilt his palette of sounds, and tasked himself with simply trying it out. The exercise freed him of expectations and permitted a process that echoed the tones of more immediate external environments. A gravity had seeped in; resulting material shifts between bleakness and sublime suspense, awe at the expanse of existing, in looking back and letting go. âItâs a sort of sad smile and a wave goodbye but at the same time hello, a 'welcome to your lifeâ moment,â Haley says. Take the storm pattern sequence from âGaussianâ to âUltraïŹche of Youâ: a queasy, contemplative vignette rests on a single soft-synth cloud before the latterâs percussion ripples across the sky. With trademark stutters and swells, the composition conjures the sensation of searching in the afterglow. âItâs a love song, and I donât write many of those.â
That duality â melancholy + optimism, then + now â permeates this widescreen collection. âExistence Schematicâ takes ïŹight at night, âlooking down at the landscape,â explains Haley, âseeing the lights in a schematic sort of way, wondering who or what is looking back up at me wondering the same things I am, the impact of a single existence, the end, the beginning, where itâs gone and going.â These are observations from this existential Persuasion System, and Haley hopes the music yields more, for others, that listeners may search for their own tension and release.













