
Quartet Plus Two: Vinyl LP
Orbiting Human Circusâ new album is called Quartet Plus Two. What is Orbiting Human Circus? It is the continuing evolution of Julian Koster (Neutral Milk Hotel, The Music Tapes), whose music and storytelling under this moniker have encompassed immersive theatre and a Night Vale Presents podcast, as well as more traditional albums.
Central to the album are the âtwoâ referenced in the title: North and Romika, the singing saws, whom Koster doesnât âplayâ so much as encourage. âI think saws sing like angels,â says Koster. âI always have. Since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. Itâs an honest and real sound.â
The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Kosterâs career. While walking through New Yorkâs Central Park, he stumbled upon Gauvain Gamon and Kolja Gjoniâa standup bass player and drummer, respectivelyâplaying Gershwin and Mingus, and a musical partnership was born.
Pianist Benji Miller rounds out the titular quartet, with Kosterâs longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contributing to the record.
The music they make together is at once familiar and unrecognizable, as Koster and Orbiting Human Circus interpret jazz compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others, alongside Kosterâs three originals. The use of the term âcompositionâ is intentional and speaks to Kosterâs relationship with the music of Quartet Plus Two in far more evocative terms than âcoverâ or âstandard.
âTo me it was always magical that there were these people called âcomposersâ who created symphonies and popular songs for other people to breathe into life and existence all over the world and throughout time,â he explains. âThey traveled into our homes as sheet music, endless recorded interpretations, or were passed from hand to hand, village to village, like folk tales, changed by every hand that touched them. That music was something that came to life in our own living rooms and lives, songs that our grandmothers might have sung in a choir that we might sing just as earnestly. I just think itâs nice, and I would love to share that feeling in any way we can.â
Tracklist:
Side A
1. I Cover the Waterfront
2. Maria
3. Into the River Thames
4. Itâs So Peaceful in the Country
5. Sea in 3
Side B
6. How Long Has This Been Going On?
7. If I Did, Would You?
8. Letâs Face the Music
9. Koliada
10. Maria Pt. 2
Orbiting Human Circusâ new album is called Quartet Plus Two. What is Orbiting Human Circus? It is the continuing evolution of Julian Koster (Neutral Milk Hotel, The Music Tapes), whose music and storytelling under this moniker have encompassed immersive theatre and a Night Vale Presents podcast, as well as more traditional albums.
Central to the album are the âtwoâ referenced in the title: North and Romika, the singing saws, whom Koster doesnât âplayâ so much as encourage. âI think saws sing like angels,â says Koster. âI always have. Since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. Itâs an honest and real sound.â
The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Kosterâs career. While walking through New Yorkâs Central Park, he stumbled upon Gauvain Gamon and Kolja Gjoniâa standup bass player and drummer, respectivelyâplaying Gershwin and Mingus, and a musical partnership was born.
Pianist Benji Miller rounds out the titular quartet, with Kosterâs longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contributing to the record.
The music they make together is at once familiar and unrecognizable, as Koster and Orbiting Human Circus interpret jazz compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others, alongside Kosterâs three originals. The use of the term âcompositionâ is intentional and speaks to Kosterâs relationship with the music of Quartet Plus Two in far more evocative terms than âcoverâ or âstandard.
âTo me it was always magical that there were these people called âcomposersâ who created symphonies and popular songs for other people to breathe into life and existence all over the world and throughout time,â he explains. âThey traveled into our homes as sheet music, endless recorded interpretations, or were passed from hand to hand, village to village, like folk tales, changed by every hand that touched them. That music was something that came to life in our own living rooms and lives, songs that our grandmothers might have sung in a choir that we might sing just as earnestly. I just think itâs nice, and I would love to share that feeling in any way we can.â
Tracklist:
Side A
1. I Cover the Waterfront
2. Maria
3. Into the River Thames
4. Itâs So Peaceful in the Country
5. Sea in 3
Side B
6. How Long Has This Been Going On?
7. If I Did, Would You?
8. Letâs Face the Music
9. Koliada
10. Maria Pt. 2
Description
Orbiting Human Circusâ new album is called Quartet Plus Two. What is Orbiting Human Circus? It is the continuing evolution of Julian Koster (Neutral Milk Hotel, The Music Tapes), whose music and storytelling under this moniker have encompassed immersive theatre and a Night Vale Presents podcast, as well as more traditional albums.
Central to the album are the âtwoâ referenced in the title: North and Romika, the singing saws, whom Koster doesnât âplayâ so much as encourage. âI think saws sing like angels,â says Koster. âI always have. Since I was a little boy. When you encourage them to sing, they do so earnestly and beautifully. Itâs an honest and real sound.â
The origins of Quartet Plus Two are as magical and seemingly unlikely as everything else in Kosterâs career. While walking through New Yorkâs Central Park, he stumbled upon Gauvain Gamon and Kolja Gjoniâa standup bass player and drummer, respectivelyâplaying Gershwin and Mingus, and a musical partnership was born.
Pianist Benji Miller rounds out the titular quartet, with Kosterâs longtime collaborators Robbie Cucchiaro (horns) and Thomas Hughes (orchestral arranging and chimes) of The Music Tapes also contributing to the record.
The music they make together is at once familiar and unrecognizable, as Koster and Orbiting Human Circus interpret jazz compositions by Irving Berlin, Duke Jordan, George and Ira Gershwin, and others, alongside Kosterâs three originals. The use of the term âcompositionâ is intentional and speaks to Kosterâs relationship with the music of Quartet Plus Two in far more evocative terms than âcoverâ or âstandard.
âTo me it was always magical that there were these people called âcomposersâ who created symphonies and popular songs for other people to breathe into life and existence all over the world and throughout time,â he explains. âThey traveled into our homes as sheet music, endless recorded interpretations, or were passed from hand to hand, village to village, like folk tales, changed by every hand that touched them. That music was something that came to life in our own living rooms and lives, songs that our grandmothers might have sung in a choir that we might sing just as earnestly. I just think itâs nice, and I would love to share that feeling in any way we can.â
Tracklist:
Side A
1. I Cover the Waterfront
2. Maria
3. Into the River Thames
4. Itâs So Peaceful in the Country
5. Sea in 3
Side B
6. How Long Has This Been Going On?
7. If I Did, Would You?
8. Letâs Face the Music
9. Koliada
10. Maria Pt. 2












