
Revel In The Drama: CD
Ren Harvieu has announced news of her long-awaited new album 'Revel In The Drama', out via Bella Union. The album is a brilliant, bolder and broader take on her timeless pop classicism, a compelling diary of a struggle with self-belief and a celebration of liberation and survival, seven years after her Top 5 debut album and having overcome a life-threatening injury. 'Think of Revel In The Drama' as Harvieuâs second debut album; a new beginning.
Harvieuâs defiance against the odds and her willingness to lay herself open to make what she believed was within her is baked into every groove of the record, across every stylistic turn: the giddy pop of âStrange Thingâ, the gothic swoon of âCruel Disguiseâ, the smokey seductiveness of âYes Pleaseâ through to the stirring torchsong finale âMy Body She Is Aliveâ.
Harvieu has come a long way from the 17-year-old who was signed to Island Records and who had no intention of becoming a singer-songwriter. Even when she made her debut album âThrough The Nightâ, her confidence was low. âI did help write a few of the songs on that record, which Iâm still very fond of, but I felt more of a mouthpiece for someone elseâs talent, which eats away at you especially because I had so much to say lyrically I just hadnât learnt how to as yet.â
Her injury - a broken spine following âa freak accidentâ between recording and releasing her debut album - undermined Harvieu even further. Likewise, Island parted ways with her six months after itâs release, despite a Top 5 chart entry, making the BBCâs Sound Of 2012, a 5-star live review from The Guardian and TV exposure. What followed was what Harvieu describes as âsome very dark yearsâ which she addresses in songs like âSpirit Me Awayâ and the 50âs ballad-evoking âYou Donât Know Me.â A split with her long term partner, her manager and then her beloved Salford. âIn one fell swoop everything was gone. I knew I had to get away, start again, rebuild myself.â
It wasnât until 2015 to be exact, when she met Romeo Stodart, the Magic Numbers frontman and songwriter who had emailed after seeing her perform on Later⊠With Jools Holland, to ask if sheâd consider writing together. âWhen we started, the energy was immediately different to anyone Iâd worked with before, there was this insane instant musical connectionâ she says. âI loved that Romeo really embraced who I was and encouraged it, I was starting to realise that I didnât have to be anything other than myself.â
The pair spent the next two years co-writing: âI wasnât in a massive hurry, because at last I was having funâ Harvieu says. âWeâd stay up all night drinking, dancing and playing music, I felt like I was re-discovering a girl who had been hidden, quietened. Iâd tell Romeo, I donât just want to paint pretty pictures I want to revel in the drama of my life, the good and the bad, before I was afraid to say something in my lyrics, but no longer. I felt free.â
The album was co-produced by Romeo Stodart and Dave Izumi Lynch, owner of Echo Zoo studio in Eastbourne where recording took place. âIt was a truly magical experience working with Dave & Romeo, they are two absolute nurturing musical wizards.â says Harvieu.
Harvieuâs lyrical confidence is evident throughout the album and has you leaning in to absorb line after line. Her voice, soaring and caressing in equal measure, is matched in force by her flirtatious personality. From the albumâs opening lyric âLet me put my paws on you, strange thingâthrough to the feminine bite of âCurves And Swervesâ âIâve got some curves and some swerves, what you gonna do about it?â which crackles with sexual tension and an aching vulnerability.
Among Harvieuâs new songs are messages of hope to her younger, anxious self. To the teenage goth Ren in âLittle Ravenâ, she says: âI want you to know, that Iâm starting to feel, but its gonna take time, but Iâm ready to healâ. âTomorrow Girl Todayâ is to the Ren âwho would make bad decisions⊠we can all be very self-destructive, but will we make it this time?â
So what now, Ren Harvieu? âIâve created a second chance for myself,â she says. âAnd I will keep creating second chances for myself, because this is my life and Iâm not afraid to revel in it anymore.â Revel In the Drama of Ren Harvieu - finally we all can too.
+ LP formats include download codes.
Ren Harvieu has announced news of her long-awaited new album 'Revel In The Drama', out via Bella Union. The album is a brilliant, bolder and broader take on her timeless pop classicism, a compelling diary of a struggle with self-belief and a celebration of liberation and survival, seven years after her Top 5 debut album and having overcome a life-threatening injury. 'Think of Revel In The Drama' as Harvieuâs second debut album; a new beginning.
Harvieuâs defiance against the odds and her willingness to lay herself open to make what she believed was within her is baked into every groove of the record, across every stylistic turn: the giddy pop of âStrange Thingâ, the gothic swoon of âCruel Disguiseâ, the smokey seductiveness of âYes Pleaseâ through to the stirring torchsong finale âMy Body She Is Aliveâ.
Harvieu has come a long way from the 17-year-old who was signed to Island Records and who had no intention of becoming a singer-songwriter. Even when she made her debut album âThrough The Nightâ, her confidence was low. âI did help write a few of the songs on that record, which Iâm still very fond of, but I felt more of a mouthpiece for someone elseâs talent, which eats away at you especially because I had so much to say lyrically I just hadnât learnt how to as yet.â
Her injury - a broken spine following âa freak accidentâ between recording and releasing her debut album - undermined Harvieu even further. Likewise, Island parted ways with her six months after itâs release, despite a Top 5 chart entry, making the BBCâs Sound Of 2012, a 5-star live review from The Guardian and TV exposure. What followed was what Harvieu describes as âsome very dark yearsâ which she addresses in songs like âSpirit Me Awayâ and the 50âs ballad-evoking âYou Donât Know Me.â A split with her long term partner, her manager and then her beloved Salford. âIn one fell swoop everything was gone. I knew I had to get away, start again, rebuild myself.â
It wasnât until 2015 to be exact, when she met Romeo Stodart, the Magic Numbers frontman and songwriter who had emailed after seeing her perform on Later⊠With Jools Holland, to ask if sheâd consider writing together. âWhen we started, the energy was immediately different to anyone Iâd worked with before, there was this insane instant musical connectionâ she says. âI loved that Romeo really embraced who I was and encouraged it, I was starting to realise that I didnât have to be anything other than myself.â
The pair spent the next two years co-writing: âI wasnât in a massive hurry, because at last I was having funâ Harvieu says. âWeâd stay up all night drinking, dancing and playing music, I felt like I was re-discovering a girl who had been hidden, quietened. Iâd tell Romeo, I donât just want to paint pretty pictures I want to revel in the drama of my life, the good and the bad, before I was afraid to say something in my lyrics, but no longer. I felt free.â
The album was co-produced by Romeo Stodart and Dave Izumi Lynch, owner of Echo Zoo studio in Eastbourne where recording took place. âIt was a truly magical experience working with Dave & Romeo, they are two absolute nurturing musical wizards.â says Harvieu.
Harvieuâs lyrical confidence is evident throughout the album and has you leaning in to absorb line after line. Her voice, soaring and caressing in equal measure, is matched in force by her flirtatious personality. From the albumâs opening lyric âLet me put my paws on you, strange thingâthrough to the feminine bite of âCurves And Swervesâ âIâve got some curves and some swerves, what you gonna do about it?â which crackles with sexual tension and an aching vulnerability.
Among Harvieuâs new songs are messages of hope to her younger, anxious self. To the teenage goth Ren in âLittle Ravenâ, she says: âI want you to know, that Iâm starting to feel, but its gonna take time, but Iâm ready to healâ. âTomorrow Girl Todayâ is to the Ren âwho would make bad decisions⊠we can all be very self-destructive, but will we make it this time?â
So what now, Ren Harvieu? âIâve created a second chance for myself,â she says. âAnd I will keep creating second chances for myself, because this is my life and Iâm not afraid to revel in it anymore.â Revel In the Drama of Ren Harvieu - finally we all can too.
+ LP formats include download codes.
Original: $24.47
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$8.56Description
Ren Harvieu has announced news of her long-awaited new album 'Revel In The Drama', out via Bella Union. The album is a brilliant, bolder and broader take on her timeless pop classicism, a compelling diary of a struggle with self-belief and a celebration of liberation and survival, seven years after her Top 5 debut album and having overcome a life-threatening injury. 'Think of Revel In The Drama' as Harvieuâs second debut album; a new beginning.
Harvieuâs defiance against the odds and her willingness to lay herself open to make what she believed was within her is baked into every groove of the record, across every stylistic turn: the giddy pop of âStrange Thingâ, the gothic swoon of âCruel Disguiseâ, the smokey seductiveness of âYes Pleaseâ through to the stirring torchsong finale âMy Body She Is Aliveâ.
Harvieu has come a long way from the 17-year-old who was signed to Island Records and who had no intention of becoming a singer-songwriter. Even when she made her debut album âThrough The Nightâ, her confidence was low. âI did help write a few of the songs on that record, which Iâm still very fond of, but I felt more of a mouthpiece for someone elseâs talent, which eats away at you especially because I had so much to say lyrically I just hadnât learnt how to as yet.â
Her injury - a broken spine following âa freak accidentâ between recording and releasing her debut album - undermined Harvieu even further. Likewise, Island parted ways with her six months after itâs release, despite a Top 5 chart entry, making the BBCâs Sound Of 2012, a 5-star live review from The Guardian and TV exposure. What followed was what Harvieu describes as âsome very dark yearsâ which she addresses in songs like âSpirit Me Awayâ and the 50âs ballad-evoking âYou Donât Know Me.â A split with her long term partner, her manager and then her beloved Salford. âIn one fell swoop everything was gone. I knew I had to get away, start again, rebuild myself.â
It wasnât until 2015 to be exact, when she met Romeo Stodart, the Magic Numbers frontman and songwriter who had emailed after seeing her perform on Later⊠With Jools Holland, to ask if sheâd consider writing together. âWhen we started, the energy was immediately different to anyone Iâd worked with before, there was this insane instant musical connectionâ she says. âI loved that Romeo really embraced who I was and encouraged it, I was starting to realise that I didnât have to be anything other than myself.â
The pair spent the next two years co-writing: âI wasnât in a massive hurry, because at last I was having funâ Harvieu says. âWeâd stay up all night drinking, dancing and playing music, I felt like I was re-discovering a girl who had been hidden, quietened. Iâd tell Romeo, I donât just want to paint pretty pictures I want to revel in the drama of my life, the good and the bad, before I was afraid to say something in my lyrics, but no longer. I felt free.â
The album was co-produced by Romeo Stodart and Dave Izumi Lynch, owner of Echo Zoo studio in Eastbourne where recording took place. âIt was a truly magical experience working with Dave & Romeo, they are two absolute nurturing musical wizards.â says Harvieu.
Harvieuâs lyrical confidence is evident throughout the album and has you leaning in to absorb line after line. Her voice, soaring and caressing in equal measure, is matched in force by her flirtatious personality. From the albumâs opening lyric âLet me put my paws on you, strange thingâthrough to the feminine bite of âCurves And Swervesâ âIâve got some curves and some swerves, what you gonna do about it?â which crackles with sexual tension and an aching vulnerability.
Among Harvieuâs new songs are messages of hope to her younger, anxious self. To the teenage goth Ren in âLittle Ravenâ, she says: âI want you to know, that Iâm starting to feel, but its gonna take time, but Iâm ready to healâ. âTomorrow Girl Todayâ is to the Ren âwho would make bad decisions⊠we can all be very self-destructive, but will we make it this time?â
So what now, Ren Harvieu? âIâve created a second chance for myself,â she says. âAnd I will keep creating second chances for myself, because this is my life and Iâm not afraid to revel in it anymore.â Revel In the Drama of Ren Harvieu - finally we all can too.
+ LP formats include download codes.













