
Romantic Piano: Vinyl LP
At first, Gia Margaret called her new album Romantic Piano to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy TseguĂ© - Maryam GuĂ©brou and the âMarginaliaâ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, âRomanticâ is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; natureâs ability to heal and to teach; a sense of contented melancholy.
âI wanted to make music that was useful,â says Margaret, vastly understating the power of the record. Romantic Piano is curious, calming, patient and incredibly moving â but it doesnât overstay its welcome for more than a second.
Margaretâs debut, Thereâs Always Glimmer, was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album Mia Gargaret (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on Thereâs Always Glimmerâs lyrical songs. Romantic Piano, too, is almost totally without words. âWriting instrumental music, in general, is a much more joyful process than I find in lyrical songwriting,â she says. âThe process ultimately effects my songwriting.â And while Margaret has more songwriterly material on the way, Romantic Piano solidifies her as a compositional force.
Originally pursing a degree in composition, Margaret dropped out of music school halfway through. âI really didnât want to play in an orchestra,â she said of her decision, âI really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. Romantic Piano scratched an old itch.â Romantic Piano does indeed touch on a rare feeling in art often only reserved for the cinema â a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!
Â
Tracks:
1. Hinoki Wood
2. Ways of Seeing
3. Cicadas
4. Juno
5. A Stretch
6. City Song
7. Sitting at the Piano (0:30)
8. Guitar Piece
9. La langue de lâamitiĂ© (feat. David Bazan)
10. 2017
11. April to April
12. Cinnamon
13. A Hidden Track (Physical Only)
At first, Gia Margaret called her new album Romantic Piano to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy TseguĂ© - Maryam GuĂ©brou and the âMarginaliaâ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, âRomanticâ is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; natureâs ability to heal and to teach; a sense of contented melancholy.
âI wanted to make music that was useful,â says Margaret, vastly understating the power of the record. Romantic Piano is curious, calming, patient and incredibly moving â but it doesnât overstay its welcome for more than a second.
Margaretâs debut, Thereâs Always Glimmer, was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album Mia Gargaret (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on Thereâs Always Glimmerâs lyrical songs. Romantic Piano, too, is almost totally without words. âWriting instrumental music, in general, is a much more joyful process than I find in lyrical songwriting,â she says. âThe process ultimately effects my songwriting.â And while Margaret has more songwriterly material on the way, Romantic Piano solidifies her as a compositional force.
Originally pursing a degree in composition, Margaret dropped out of music school halfway through. âI really didnât want to play in an orchestra,â she said of her decision, âI really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. Romantic Piano scratched an old itch.â Romantic Piano does indeed touch on a rare feeling in art often only reserved for the cinema â a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!
Â
Tracks:
1. Hinoki Wood
2. Ways of Seeing
3. Cicadas
4. Juno
5. A Stretch
6. City Song
7. Sitting at the Piano (0:30)
8. Guitar Piece
9. La langue de lâamitiĂ© (feat. David Bazan)
10. 2017
11. April to April
12. Cinnamon
13. A Hidden Track (Physical Only)
Description
At first, Gia Margaret called her new album Romantic Piano to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy TseguĂ© - Maryam GuĂ©brou and the âMarginaliaâ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, âRomanticâ is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; natureâs ability to heal and to teach; a sense of contented melancholy.
âI wanted to make music that was useful,â says Margaret, vastly understating the power of the record. Romantic Piano is curious, calming, patient and incredibly moving â but it doesnât overstay its welcome for more than a second.
Margaretâs debut, Thereâs Always Glimmer, was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album Mia Gargaret (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on Thereâs Always Glimmerâs lyrical songs. Romantic Piano, too, is almost totally without words. âWriting instrumental music, in general, is a much more joyful process than I find in lyrical songwriting,â she says. âThe process ultimately effects my songwriting.â And while Margaret has more songwriterly material on the way, Romantic Piano solidifies her as a compositional force.
Originally pursing a degree in composition, Margaret dropped out of music school halfway through. âI really didnât want to play in an orchestra,â she said of her decision, âI really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. Romantic Piano scratched an old itch.â Romantic Piano does indeed touch on a rare feeling in art often only reserved for the cinema â a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!
Â
Tracks:
1. Hinoki Wood
2. Ways of Seeing
3. Cicadas
4. Juno
5. A Stretch
6. City Song
7. Sitting at the Piano (0:30)
8. Guitar Piece
9. La langue de lâamitiĂ© (feat. David Bazan)
10. 2017
11. April to April
12. Cinnamon
13. A Hidden Track (Physical Only)












